Nuts about Needlepoint » learning

Exploring the Painted Stitch Canvas

Janet Perry — Thu, 02 Feb 2012 15:08:54 +0000

I was so excited when I found the vintage canvas on eBay awhile ago. I like it because the stitches are already painted on, much as the wonderful designs of Barbara Bergsten are.

This type of needlepoint has the pattern of the stitch already there on the canvas, you pick your threads and follow along.

In the bottom left corner, you can see a patch I’ve already stitched, in Jacquard. The green line was painted on the canvas, I stitched that first and then filled in the cream.

The patch above will be Framed Scotch, I’m stitching the Scotch Stitches now and the white lines that frame the squares will be in Continental.

For some of the patches here, the stitch to use is quite clear, for others I’ll need to make some choices.

But if you are a beginner, or just want to expand your repertoire of stitches, look at Barbara’s great designs. She’s endlessly inventive and her painted stitches are just perfect and a joy to stitch.

With Painted Stitch canvases and a good stitch dictionary, you’ll learn tons of new stitches quickly.

P.S. In future posts, you’ll see this piece again because I’m using it to test three new threads.

Threads & Shading Class Starts February 15

Janet Perry — Tue, 31 Jan 2012 15:11:34 +0000

Isn’t this Amaryllis by Piet Mondrian striking?

It’s so simple, so modern, but in such bright colors.

And it’s the canvas for my next class for Art Needlepoint, starting February 15, 2012. Suitable for beginners, it has a taste of many different techniques including:

padding
textured stitches
outlining
pattern darning
shadow stitching

YOu’ll learn these techniques and more and use three different types of thread with your purchase of the complete kit. My classes for Art Needlepoint are free with the purchase of the kit.

Best of all, those purchasing the kit for purposes of this class get a special discount.

Learning one or two techniques in a class is unusual, and here you’ll learn several in an email class so you can stitch in your comfy chair, in your PJs, and at your own pace.

Remember the class starts February 15, 2012, so order your kit today.

Book of Hours Color Twinchy – Sneak Peek at New Color & Thread Club

Janet Perry — Tue, 24 Jan 2012 17:20:12 +0000

Going from the earth and mineral colors that predominated the palettes of Ancient Egypt and Greece, the High Middle Ages seem to burst in a world of color and light.

I have adored the bright, rich blues of medieval prayer books, or Books of Hours, since I first saw one in a reproduction in High School. A picture from Jean de Berry Book of Hours, it’s the monthly scene for June, is below.

illustration from medieval book of hours

Those colors are the inspiration for this Twinchy. It captures the bright colors with the blue and red, the lightness of the palette with the blue-violet, the slightly yellow white of vellum and parchment, and the gold that is so much a part of illuminated manuscripts.

It’s just one of the twelve color palettes I’ll be exploring in Color through the Ages my exciting new color and thread club beginning March 1, 2012.

Each month you’ll get the charted Twinchy (2″ square needlepoints) and lots of information on the palettes, color, and three threads in a PDF.

There are two subscription option, basic and deluxe. The basic subscription gets the monthly PDF only. The deluxe gets the PDF, canvas for the Twinchy, and samples of three threads.

Basic Package includes the PDFs of each month’s program. It is $7.50 per month. Use the PayPal button below to register.

Deluxe Package includes the PDFs of each month’s program as well as canvas and three thread samples of about 2 yards per month. It is $12.50 per month. Use the PayPal button below to register.

In addition if you make a single payment for either option (using the buttons below or pay via check (contact me for the address) you will receive a10% discount..

Please note that the Deluxe Package prices are for shipment to US addresses only. If you want this option and live outside the US, please contact me. All sales to California are subject to sales tax. If you are in California and choose the subscription, you will be invoiced for the sales tax separately.

Change in Education Needed

Janet Perry — Thu, 19 Jan 2012 15:14:00 +0000

Originally posted 2010-05-13 07:54:37. Republished by Blog Post Promoter

Needlepoint stitched by Janet Perry

One thing has stayed consistent in to 40 years I’ve been doing needlepoint. And it’s not the canvas. It’s that needlepoint education sucks.

Originally I thought that I was the problem. My mom’s an artist and a tinkerer, and so we always figured out how to do it ourselves. So I took that into needlepoint and bought books and played. I didn’t take a class until I’d been stitching for a decade or more.

But I was always dissatisfied, both with the books and, mostly, with the classes I took. The books never seemed to tell me what I wanted to know and the classes, while the projects might be lovely rarely taught me the techniques I wanted at the price I could afford.

Even with the Internet this hasn’t changed much. If we want needlepoint to grow, be popular, and change the world, we need to embrace the Internet and change what we do and teach. I’ve come up with some guiding principles for needlepoint education.

First, needlepoint education needs to be targeted. It needs to teach you something specific you can go out and use on another project. A project-based class is fine for a treat, but if you learn many things you can use, that’s even better.

Second, needlepoint education needs to be achievable. The most exciting project in the world isn’t worth it if it doesn’t get done. The project should be small enough that I can both learn and see my progress. If I can use it, that’s even better.

Third, needlepoint education needs to be affordable. The materials shouldn’t cost the moon, the canvas should be inexpensive. I know that point differs for everyone, but what is your point? I rarely take classes that are more than $30, unless I adore the piece. And my DH keeps me from going to expensive classes. But what are you willing to pay? If the class fee is $30, how much is too much for materials?

Fourth, needlepoint education needs to explain things. When we aren’t face to face, the teacher has to be willing to explain things different ways. That can be hard to do, but if the student can do it, with the extra explanation, that’s worth it.

Finally, needlepoint education needs to be fun. The project should look like something fun to stitch, you should be able to pick things you like and go for it.

I’m struggling with defining what I see and what seems to be lacking. I’m trying to design a class right now and can’t find the proper balance. So I’d like to know what you think. What do you want? How much are you willing to pay? How do you want it delivered? What’s been good and bad in the classes you’ve taken? Let me know, no names please, and have at it. If you want to express your opinion privately, send me an email.

What’s your Needlepoint Question? – Book Sneak Peek

Janet Perry — Thu, 12 Jan 2012 15:12:20 +0000

How do I replace a missing needlepoint chairseat?

Can I use a embroidery hoop to stitch needlepoint?

What is the American equivalent of 7 HPI canvas?

These are just three of the questions I’ve been asked recently, mostly through this site’s contact form.

I’m collecting these (and many, many others) into a Needlepoint Question & Answer Book that will come out later this year.

It will certainly be an ebook, PDF, and app ebook, and it may be available as a printed book and on CD as well.

You can help me as well by sending me your best needlepoint question. It can be something you’ve often wondered about, something you don’t know how to do, something you want to find, or anything else related to needlepoint.

Use the contact form, add a comment, or just email me. Be sure to let me know it’s for the book.

If your question is selected as one of the 200 in the book, you will get a free electronic copy (PDF).

IN the case of two or more people sending in the same question, the earliest one wins.

Color through the Ages Sneak Peek

Janet Perry — Mon, 09 Jan 2012 15:30:22 +0000

Many of you have asked to see what the Twinchie projects for Color through the Ages will look like. This year’s needlepoint club is going to go beyond the traditional color schemes to look at color combinations that refer to a specific time, place, or object.

Through charted Twinchies (2″square needlepoint) based on quilt designs, club members will explore color schemes typical not just of ancient times, but of the Middle Ages, the Renaissance, and the Twentieth Century, along with others.

Pictured here are two of the completed Twinchies, Ancient Egypt and Ancient Greece. I’ll post a couple more sneaks late this month. Both societies used similar color palettes based on minerals. In these packets you’ll learn about mineral colors, why “dirt” isn’t just one color, why blue is so prized, and more.

In each month’s packet you will get:

Extensive information about color and this color scheme
Information about the quilt block or setting
Charted Twinchie with thread list
Information, including stitching tips for three different threads

The club begins March 1, 2012 and registrations are open now. There are a number of different pricing options, depending on what you want.

Basic Package includes the PDFs of each month’s program. It is $7.50 per month. Use the PayPal button below to register.

In addition if you make a single payment for either option (using the buttons below or pay via check (contact me for the address) you will receive a10% discount..

Come join me on this journey of exploration.

Introduce a Friend to Needlepoint

Janet Perry — Sun, 08 Jan 2012 15:14:36 +0000

Originally posted 2010-04-29 07:39:57. Republished by Blog Post Promoter

stitch sampler project

Needlepoint is one of those things that many people don’t know they would like. They think it requires too much patience, isn’t creative, or is something only stuffy old ladies do.

But we know better.

Needlepoint is exciting, creative, and relaxing. Instead of forcing you to be patient, it puts you into a wonderful relaxing zen state, giving you a mini-vacation. The canvas and the thread are a way for even people who have little artistic talent to be creative (I know, I’m their poster child). And needlepointers, being creative people aren’t either stuffy or old (no matter how old they are).

My free beginning email course for needlepoint is a wonderful way to introduce a friend or family member. It goes over all the basics, including types of needlepoint, tools, threads, and stitches. It has two projects and even will help you pick your first painted canvas.

Hundreds of people have taken this class and have learned needlepoint. It’s easy to sign up here.

2012 Needlepoint Club – Color through the Ages

Janet Perry — Mon, 02 Jan 2012 15:34:36 +0000

Color can be so evocative of a time or a place. Think of the combination of deep ultramarine blue, gold, linen white and rusty red. Ancient Egypt, right?

Or what about the terra cotta, black, and golden yellow of Greek pots?

This year’s needlepoint club, Color through the Ages, is going to go beyond the traditional color schemes to look at color combinations that refer to a specific time, place, or object.

Each month you’ll get a PDF instruction packet with the chart, information about the color scheme and something about color of the time, and information about three different threads.

A continuation of 2011′s popular Color, Thread, and Quilts Club, you’ll have a chance to expend and extend your knowledge with these delightful little pieces.

The club begins March 1, 2012 and registrations are open now. There are a number of different pricing options, depending on what you want.

Basic Package includes the PDFs of each month’s program. It is $7.50 per month. Use the PayPal button below to register.

In addition if you make a single payment for either option (using the buttons below or pay via check (contact me for the address) you will receive a10% discount..

Come join me on this journey of exploration.

Downloadable Needlepoint Book – Needlepoint A Foundation Course

Janet Perry — Mon, 02 Jan 2012 15:22:56 +0000

Originally posted 2010-02-04 07:28:37. Republished by Blog Post Promoter

This book, Needlepoint A Foundation Course, is by Sandra Hardy and was originally published by England’s Guild of Master Craftsman in 1998. The complete book is now available as a download in Hotfiles or Depositfiles format (click on the link to go to the page).

This book is a good overview of needlepoint, with simple, clear explanations of basic stitches and techniques. While not all of her information is correct, there is lots of good stuff in this book. Some of the techniques, like shading, beadwork, and waste canvas are more advanced. Each technique has clear pictures illustrating it and a project to follow.

In general the 18 projects are traditional in design, calling on traditional and folks art for their inspiration. All of the projects have complete materials lists and working instructions. All are charted. This is my biggest problem with the book. The charts are in black and white with symbols and can be very hard to read. if possible, enlarge them before stitching.

For the more adventurous stitcher there is information about dying your own yarn and canvas as well as a chapter on design. The design chapter covers design, color, borders and the technical aspects of getting your design onto canvas.

What Color Should that Stitch Be?

Janet Perry — Wed, 28 Dec 2011 14:49:00 +0000

Originally posted 2007-08-08 06:22:44. Republished by Blog Post Promoter

You know that sinking feeling, the intersection on the hand-painted canvas is more than one color. You don’t know how to decide what color to stitch.

I call deciding this making an “executive decision” in needlepoint. I thought about what the process was for deciding and came up with some guidelines. Although beginners struggle with this issue, it can come up in just about any canvas which is not completely stitch-painted.

If one color covers more of the intersection than the other, stitch it in that color.

If it’s pretty much half and half, then you could do either. To help you choose, you can see if any of these apply:

1. Is it colored in both foreground and background colors? Choose the foreground color.

2. Is it the only intersection which has that color (no intersections with that color around it)? Choose the isolated color because it’s supposed to be a dot of that color.

3. Is it colored a light color and a dark color? Darker colors recede, so picking the darker color will probably make the two areas look more balanced.

4. I one color part of a line? Follow the line on the canvas to see how it will look if this intersection is stitched in that color. I’ve had it happen sometimes when stitching the color of the line instead of the other color made the line look bad.

Sometimes you choose wrong, everyone does. If this happens, don’t be afraid to pull the stitch out and use the other color.